Works / 1980-1989

Video Performance : The space is divided into two equal zones, each containing a video monitor and a camera.The set-up is based on the interlinking of the two spaces, with each camera connected to the monitor in the opposite space.

Yalter and Croiset operated within their own spaces, but were confronted with the images filmed in the other space or prerecorded for the other monitor. This resulted in a constant exchange of two types of ritual : masculine and feminine, warrior-like or relating to motherhood.

Florence de Mèredieu

Museum of Modern Art of Paris 1980

Bonner Kunstverein / Galerie Magers. 1981

Video Performance : The space is divided into two equal zones, each containing a video monitor and a camera.The set-up is based on the interlinking of the two spaces, with each camera connected to the monitor in the opposite space.

Museum of Modern Art of Paris 1980

Bonner Kunstverein / Galerie Magers. 1981

Installation : B&W video tape 45'. Drawings and photography. Transposition of the daily life of two women into the spaces of the Ottoman Harem.

Museum of Modern Art of Paris 1981

Museum SantralIstanbul Istanbul 2007

20th International Festival of Cinema. Ankara 2009

GALERIST. Istanbul. 2011

MOTInternational gallery. London. 2015

Installation : B&W video tape 45'. Drawings and photography. Transposition of the daily life of two women into the spaces of the Ottoman Harem.

Museum of Modern Art of Paris 1981

Museum SantralIstanbul Istanbul 2007

20th International Festival of Cinema. Ankara 2009

GALERIST. Istanbul. 2011

A public space project on a busline in the town of La Rochelle.

Festival de la Rochelle. La Rochelle 1981

Bonner Kunstverein / Galerie Magers. Bonn 1981

3-channel video insallation with 6 monitors; telling the story of sea workers by creating an aesthetic language that can serve as a contribution to the culture of the working world.

Festival de la Rochelle. La Rochelle 1982

International Video Festival. Montbéliard 1982

Bonner Kunstverein. Bonn 1983

Musée André Malreaux. Le Havre 1984

Tapei Museum. Taïwan 1984

3-channel video insallation with 6 monitors; telling the story of sea workers by creating an aesthetic language that can serve as a contribution to the culture of the working world.

Festival de la Rochelle. La Rochelle 1982

International Video Festival. Montbéliard 1982

Bonner Kunstverein. Bonn 1983

Musée André Malreaux. Le Havre 1984

Tapei Museum. Taïwan 1984

2-channel video installation and four monitors, photographs, texts and painting.

Illigal Turkish immigrant workers in confection. Paris.

A.R.C. Museum of Modern Art of Paris 1983 I

Institut Français d’Istanbul. Istanbul 2006 II

Museum of immigration. Paris 2009 III

Istanbul Modern. Istanbul. 2011 IV

2-channel video installation and four monitors, photographs, texts and painting.

Illigal Turkish immigrant workers in confection. Paris.

A.R.C. Museum of Modern Art of Paris 1983 I

Institut Français d’Istanbul. Istanbul 2006 II

Museum of immigration. Paris 2009 III

Istanbul Modern. Istanbul. 2011 IV

2-channel video installation, eight monitors and mirrors. This work was filmed in a Renault factory in Sandouville.

Usine Renault Sandouville. Le Havre 1984

Museum André Malreaux. Le Havre 1984

2-channel video installation, eight monitors and mirrors. This work was filmed in a Renault factory in Sandouville.

Usine Renault Sandouville. Le Havre 1984

Museum André Malreaux. Le Havre 1984

3-channel video installation with 12 monitors on Egypt.

Museum of Saint - Simon. Angoulème 1988

Electronic Art Festival. Rennes 1988

Les Instants Vidéo. Manosque 1991

Video installation with six monitors on a text of Marquis de Sade :

"Nothing belongs to me, nothing originates from me"

Prieuré de Graville. Le Havre 1989

Technologies et Imaginaires. Videotheque de Paris 1990

20th International Festival of Cinema. Ankara 2009